2016 BLACK HAWK
CHAMBER MUSIC FESTIVAL
September 10, 12 & 17, 2016
Congregational United Church of Christ
30 North Clinton Street in Iowa City • (319) 337-4301
suggested donation (a free will offering) $15 or $20
• 18 and under free •
The Renaissance Dulcian
|Saturday, September 10, 2016 at 7:00 PM |
A BROKEN CONSORT
Music in the time of Shakespeare
Dulcian (renaissance bassoon) • Anna Marsh
Renaissance Lute & Theorbo • Oleg Timofeyev
Renaissance Flute • Jeffrey Cohan
Chamber music in 1820:
Exquisite 16th and early 17th-century chamber music, revived on these instruments after 3 centuries. The elusive dulcian and the rarely heard renaissance transverse flute offer many qualities foreign to modern instruments that were essential to the Elizabethan musician. Their sweetness, warmth, and pinpoint flexibility empower them to convey a powerful emotional impact on a more intimate scale.
Works by Tarquino Merula, Girolamo Frescobaldi, the dulcian virtuoso Bartolomeo de Selma y Salaverde, Andrea Cima, Dario Castello and Giulio Caccini all exhibit the rampant mannerism and virtuosity which spanned the turn of the 17th century.
Monday, September 12, 2016 at 7:00 PM
Theorbo & Winds of the Baroque
Baroque Bassoon • Anna Marsh
Theorbo (a long-necked lute) • Oleg Timofeyev
Baroque Flute • Jeffrey Cohan
Chamber Music in 1720:
Virtuoso chamber music for bassoon, flute and theorbo from the courts of
Louis XIV, Louis XV and Frederick the Great and by Johann Sebastian Bach
A theorbo, from L. de la Hyre's Allegorical Figure of Music
|Saturday, September 17, 2016 at 7:00 PM
Romantic Flute & Russian Guitar
Guitar (made in 1815) • Oleg Timofeyev
8-keyed Flute (made in 1820 in London) • Jeffrey Cohan
Chamber music in 1820:
Experience the emerging romanticism of the early 19th century and the subsequent blossoming of guitar-flute repertoire by virtuosos on their evolving instruments. This golden age for the flute-guitar duo was ushered into being in the early 1800's as the industrial revolution and a musically hungry new middle class brought forth expressive trends less affected by stylistic constraints of the past and significant changes in the tonal capabilities of musical instruments, prompting a new type of virtuoso interaction between flutists and guitarists.
The program will include a new transcription by Jeffrey Cohan of a Sonata by Kamiensky, a Divertissement by flutist Gaspard Kummer (1795-1870) based on catchy themes from Rossini's opera "William Tell", a Serenade by guitarist Mauro Giuliani (1781-1829), and virtuoso solos for flute and guitar.
(Pictured above is guitar prodigy Giulio Regondi, ca. 1832.)
Antique early 19th-century instruments! Alongside Oleg Timofeyev's guitar from the early 19th century, Jeffrey Cohan will play an 8-keyed flute made in London in 1820 of cocuswood or Jamaican ebony with silver ornamental rings and keys, made in London in 1820 by George Rudall with the help of George Willis. In 1821 Rudall joined with Rose to make Rudall & Rose flutes, which have found their way into the hands of some of today's most well-known flutists playing traditional Irish music.